Film posters are critical aspects of the movie world since they’re used as ads for certain motion pictures. The majority of them are created to relay useful information to potential customers and have info like the movie’s opening date, tag line, and photographs of the main actors. Interesting movie posters that look like art exist too, these pieces are famous for favoring eye pleasing images and unique themes over generic photographs and data.
In most cases, the designer or illustrator of cinema posters is not identified but there are a few artists who are well known among the industry for their unique work. Reynold Brown was a very popular poster designer in the late forties and fifties. His pieces were best known for their unique mixture of minimalism and vintage looks. His poster for the film The Attack of the 50 Foot Woman, arguably his best work, is one of the most collectible movie poster there is.
The theater poster for the 05 movie Walk the Line is another collector’s favorite. Created by the modern graphic artist Shepards Fairey, the poster features warm hues and a simple but iconic graphic of the film’s subject, singer Johnny Cash. Even though it displayed the film’s title, it could still be hung up as art in a home or gallery and can even been appreciated by people who have yet to watch the movie.
Grindhouse, the action-packed horror flick from Quentin Tarantino, was meant to feel and look like an old low budget picture from the fifties and its poster was able to perfectly capture that. The piece is a genuine work of art, featuring eye popping text and vintage graphics. One of them was made with fake creases over it, so it would give off the impression that it had recently been unfolded.
People who are interested in obtaining awesome movie posters that look like art would probably be very pleased with almost all of them designed before the 1960s. Older theatrical posters tended to be either drawn or painted, due to computer graphic programs being unavailable.
A poster from this era tends to be good example of minimalism as well, which helps people appreciate it on its own rather than just as an extension of the movie it is advertising.
A wonderful example of this is the poster for Alfred Hitchcock’s The Birds. In it, a large white bird feather is situated in the center with the movie’s title written inside it in simple black lettering. Behind the feather is nothing except an even deep red hue. Hitchcock’s films were of course well known for having posters with minimalist and to-the-point themes. His 1958 masterpiece Vertigo had simple spiral designs in front of a plain background that was almost the same exact shade of rich red.
In some cases, the theater in which a movie is showing is permitted to design and use their own version of its poster. This was the case in early 2001 with the remake of Planet of the Apes. When the Alamo Drafthouse in Austin, Texas showed the motion picture, it used a now iconic version of the poster designed by the business itself.